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Art Insurance Guide

Insurance considerations for artists, studios, exhibitions, collectors and community art events.

Art insurance is not one thing. It can involve studio contents, public liability, transit, exhibition cover, collection insurance, volunteer activity, workshop risk and professional indemnity. The right question is not simply whether you are insured, but which risk is actually covered.

Best audienceArtists, collectors, galleries, curators, councils, schools, studios and event organisers
Location focusAustralia-wide
Use this guide whenInsurance considerations for artists, studios, exhibitions, collectors and community art events.

Quick summary

  • Make an artwork list before transport or exhibition.
  • Confirm who covers the work at each stage: studio, transit, venue, storage and return.
  • Get insurance terms in writing before delivery.
  • Photograph condition before packing and after unpacking.
  • Clarify public liability for openings, workshops and visitors.
  • Check whether volunteer handling is covered.
  • Keep invoices, valuations, certificates and condition reports together.
  • Review insurance when values, storage or exhibition activity changes.
Art Insurance Guide

Where insurance questions usually arise

Insurance becomes important when work leaves the studio, enters an exhibition, is transported by courier, is stored off-site, is handled by volunteers or is displayed in a public venue. It also matters when visitors attend your studio, workshop or opening event.

Artists should ask who is responsible for the work at each stage: packing, freight, delivery, installation, exhibition, sale, deinstall and return. Assumptions cause most insurance gaps.

Questions to ask before an exhibition

Ask whether the venue insures artworks on the wall, during install, during storage and during opening events. Ask whether cover is based on sale price, insured value, cost of materials or a nominated value. Ask whether the artist must provide a valuation or artwork list.

If the venue does not insure works, artists need to decide whether to accept that risk, arrange their own cover or avoid sending high-value works.

Collectors and private owners

Collectors should keep invoices, provenance, condition photos, certificates and current valuations. Insurance becomes difficult when a work cannot be identified or its value cannot be supported.

Home insurance may not automatically cover higher-value artworks or works on loan. Check limits, exclusions, flood/fire/theft provisions and whether professional installation is required.

Practical checklist

1. Make an artwork list before transport or exhibition.

Make an artwork list before transport or exhibition.

2. Confirm who covers the work at each stage

Confirm who covers the work at each stage: studio, transit, venue, storage and return.

3. Get insurance terms in writing before delivery.

Get insurance terms in writing before delivery.

4. Photograph condition before packing and after unpacking.

Photograph condition before packing and after unpacking.

5. Clarify public liability for openings, workshops and visitors.

Clarify public liability for openings, workshops and visitors.

6. Check whether volunteer handling is covered.

Check whether volunteer handling is covered.

7. Keep invoices, valuations, certificates and condition reports together.

Keep invoices, valuations, certificates and condition reports together.

8. Review insurance when values, storage or exhibition activity changes.

Review insurance when values, storage or exhibition activity changes.

Common mistakes to avoid

Assuming the gallery covers everything

Some venues cover works only while installed, not during transport or storage.

No value records

A claim is harder when there is no invoice, valuation, catalogue or condition history.

Ignoring public liability

Exhibitions and workshops involve visitor risk, not just artwork risk.

Transport gaps

Freight and courier damage may be excluded unless the right cover is arranged.

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