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For artists building a website

Artist Website Guide

An artist website should make it easy to understand the work, see current images, read a concise bio, view exhibition history and make contact.

Who this helps

Artists, students, teachers, collectors, arts workers or art audiences who need practical Australian guidance.

Useful outcome

You should leave with a clearer process, a useful checklist and fewer surprises.

  • Show current work clearly.
  • Include title, year, medium and dimensions.
  • Keep bio and CV updated.
  • Add contact or enquiry path.
  • Avoid slow, confusing galleries.

How to use this guide

This is written as a practical working page. Start with the four-step path, then use the detailed notes and checklist before you apply, buy, submit, document, plan or contact anyone.

1

Understand

Read the guide goal and define what you need.

2

Prepare

Collect dates, images, records, links or documents.

3

Check

Confirm official rules, costs, rights and responsibilities.

4

Act

Apply, submit, buy, visit, document or contact with confidence.

What this guide helps you do

An artist website should make it easy to understand the work, see current images, read a concise bio, view exhibition history and make contact.

This page is designed to work like a practical service guide for artist website. Instead of giving broad theory, it focuses on the decisions, documents, checks and questions that usually make the difference.

What to prepare before you start

Gather the basic information first: names, dates, links, artwork details, images, budgets, contact people and any official terms. Most mistakes happen because people start with enthusiasm but no records.

If the task involves a gallery, council, prize, buyer, insurer, school or public place, confirm the source requirements directly before relying on memory or assumptions.

How to get a better result

Use the checklist as a working tool. Save a copy, mark what is complete and make notes beside anything that needs confirmation.

When money, copyright, cultural permission, insurance, freight, public safety or legal obligations are involved, treat the official source as the source of truth and seek specialist advice where needed.

Practical checklist

1. Show current work clearly.

Show current work clearly.

2. Include title, year, medium and dimensions.

Include title, year, medium and dimensions.

3. Keep bio and CV updated.

Keep bio and CV updated.

4. Add contact or enquiry path.

Add contact or enquiry path.

5. Avoid slow, confusing galleries.

Avoid slow, confusing galleries.

6. Save official links and contact details.

Save official links and contact details.

7. Record deadlines and next actions.

Record deadlines and next actions.

8. Keep copies of submitted or received documents.

Keep copies of submitted or received documents.

Related Artsoz resources

Artist Website Guide: useful context and next steps

What Australian artists should include on a website: biography, works, CV, statements, shop and contact details.

Materials pages should match tools to purpose. Student work, classroom exercises, professional exhibition pieces and archival projects do not need the same grade, surface or storage method.

Think about the whole system: surface, pigment, medium, brush, drying time, adhesive, varnish, cleanup, safety and storage.

Testing prevents expensive mistakes. Try combinations on samples and keep notes so useful results can be repeated.

Practical checks

Use this page to orient the decision, then compare related Artsoz pages and confirm live details before committing time, money, travel or public work.

Artist Website Guide: practical authority notes

What Australian artists should include on a website: biography, works, CV, statements, shop and contact details.

The practical value of this page is that it gives the reader a way to make a better art decision, not just another link to click. Use it to clarify purpose, compare options, identify risk and decide which official detail has to be checked before acting.

Artist Website Guide should connect materials to the work being made. Student exercises, school workshops, outdoor murals, professional exhibitions and archival works all need different levels of quality, durability and cost control.

Think about the material system: surface, pigment, medium, brush, drying time, storage, safety, cleanup and framing. A product that is perfect for one process may be wasteful in another.

Test combinations before using them on important work, then keep notes. Artists save money when they can repeat the paper, primer, colour, brush or varnish that worked last time.

How to judge this resource

QuestionWhy it matters
Who is this for?The page should make clear whether it helps artists, students, teachers, collectors, visitors, galleries or arts organisations.
What can change?Dates, fees, rules, access, stock, prices and contacts can change, so current details need official confirmation.
What is the risk?Money, deadlines, travel, copyright, privacy, safety and eligibility are the details most likely to cause trouble if ignored.
What should be saved?Keep links, screenshots, receipts, guidelines, images, notes or correspondence when the decision may need to be checked later.

Use this Artsoz page to orient the decision, then confirm live details before committing time, money, travel, artwork, classroom activity or public programming.